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You might want to consider swapping that sm7 to to some consender. I'm getting to response from the mic. I'm brand new to this so I'm thinking maybe I'm missing something simple. What are you comparing your takes to? For some reason, I can't get the mic to sound like the quality I want, and honestly sometimes I think my iPhone sounds better. Products, practices, and stories about the profession or hobby of recording, editing, and producing audio. Press question mark to learn the rest of the keyboard shortcuts, http://recordinghacks.com/2012/06/18/sm7b-audio-interface-shootout/, http://cloudmicrophones.com/cloud12/?page_id=217]. I tested and used it last night and the night before and it was working fine. I'm getting to response from the mic. What are you hearing that you don't like (or what are you not hearing that you think should be there)? ). Npr uses u87s. ... You can listen to audio samples of the SM7B at Shure’s Mic Listening Lab. Ok so I shouldn't send back the focusrite, but instead just get the cloudlifter in addition? The SM7b sounds really good on a lot of people right out of the box, that's why it's popular - but not ALL voices. I was also recording in a room that was not acoustically treated and happy with the results. Hm. If you treat the room or even the immediate area a bit to cut down on echo it should sound pretty good. New comments cannot be posted and votes cannot be cast, More posts from the audioengineering community. My audio setup is: Shure SM7B XLR Microphone Cloudlifter CL-1 Line6 UX2 Interface The gain on the UX2 is on around 60% (which is still fairly quiet, but I've heard that high gain can cause hissing) Thank you kidnly! It's very possible that you're comparing your own raw takes to someone else's "sweetened" audio, or maybe you're processing in such a way that it doesn't sound good to you. Of course it's gonna sound bad in comparison. The SM7B is a dynamic microphone, it doesn't need phantom power. http://current.org/2015/06/a-top-audio-engineer-explains-nprs-signature-sound/. But you, Quincy, and your sound production team decide to go with the Shure SM7B – a modest dynamic cardioid microphone used primarily in radio broadcasting and spoken word – to record most of your vocal tracks, and all of Vincent Price’s (in two takes, no less! Ive been using Aphex 1100 with good results. I'm not currently using a pop filter (circle screen thing). languageAmericas/USA. I can't get the mic to work with my audio interface. I have the M-Audio Fast Track C400. Top Pick Shure SM7B Alternative: Electro-Voice RE320. And maybe your voice isn't a good fit. What other processing things should I be doing to improve quality? shopping_cart. I have basically no audio experience, but have been working for months on the research for a podcast, so I decided to splurge and get a really nice mic. Do you mean the windscreen that came on it? I have it hooked up to a Focusrite Solo, which I suppose is in the lower end at $100, and I'm recording into audacity. So maybe my problem is that the sound box I made is too dampened. If you want to stay in dynamics, the Beta57 might surprise you positively. I tweaked the settings and finally got the SM7B to record. I have the M-Audio Fast Track C400. In addition, you don't see it but your iPhone probably does some processing to the audio before it's recorded or played back. Not to mention get up on that thing, SM7s were beloved by belters in the 80s because of how they smoothly compressed the vocal performance. I'm using it for Twitch Streaming. I can't get the mic to work with my audio interface. Currently thinking about adding the DBX 286s or upgrading my preamp/interface but in no real rush because I'm like 80-90% there in terms of what I was looking for in terms of sound quality. Do I need a better interface? The mic is plugged into the #1 input and then the interface is connected to my macbook via USB. Or no sound at all. Yea I gotta believe something weird is going on. No phantom power. I have a shure SM7B mic for recording voice overs at home. I've tested a very similar setup running the SM7B into a Focusrite iTrack Solo but had to crank the gain all the way up just to get a "decent" signal. Yeah I guess I just need to mess with tweaking it. In addition to the mic technique people asked about already, are you processing your stuff in any way? Press J to jump to the feed. I would suggest sticking with the mic in the open room, but as you found out if you're recording in an untreated room you'll run into reflections - this is why studios are acoustically designed and/or treated. Read a little on EQ and compression and you'll probably get much better results! Press J to jump to the feed. The SM7B (and most other broadcast/voiceover-suited mics) works best at very close distances. I have the M-Audio Fast Track C400. How should I be setting it up to get the best quality, warm, intimate NPR voice that I need? I've had sm7's in untreated rooms and even then, when you are close enough to the mic there is plenty of "warmth" there. For more information on the history of the SM7B, see Davida Rochman’s excellent 2012 post SM57 on Steroids: The Shure SM7(B) Story and Silent Sky’s 2013 post The Shure SM7B – Magic Mic, or All … My Shure SM57 Microphone stopped working. SM7 needs a shitton of gain and a good preamp. Microphone is a crucial gear to have in your station because of its versatile function to capture audio so then we can stream them or for further processing. New comments cannot be posted and votes cannot be cast, More posts from the audioengineering community. 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